The upcoming circus performance odyssey DAR by MOVEDBYMATTER unpacks the primal emotion of fear in its subtleties to take its audience on a journey to experience and witness the varied multitudes of fear. The production will premiere in July 2024.

Concept & Direction - Kasper Vandenberghe
Photo Credit - Thomas Nolf

Book Launch of the publication ‘Dear You-Yours Lovingly, Me’ at Tanec Praha, Prague, Czech Republic.

Invited to join as the Dutch choreographer-dramaturg duo for EU project Micro Macro Dramaturgies in Dance by DansBrabant, NL along with Elena Tzanavalou.

The European project Micro Macro Dramaturgies in Dance (MMDD) is a collaboration between an international team of dramaturgs – Guy Cools, Anne-Marije van den Bersselaar, Maja Hriešik and Katalin Trencsényi – and six European organisations in the field of contemporary dance: Anghiari Dance Hub and Marche Teatro (IT), Bora Bora (DK), Dance House Lemesos (CY), DansBrabant (NL) and Tanec Praha (CZ).

https://www.dancedramaturgies.eu/micro-and-macro-dramaturgies-dance

Teaching a course on Dramaturgy & Artistic Research for Year 1, 2 and 3 at the Academy of Circus and Performance Arts, Fontys Hogeschool voor de Kunsten, Tilburg.
With a practice-based approach, packed with group assignments, individual presentations, debates and dialogues, the course explores varied aspects of micro & macro dramaturgy, open & concept dramaturgy, artistic research and intersectional ways of looking at contemporary circus practice today. It further delves into how lived experience & upbringing, professional lineage, current socio-political climate within the world and the arts, inspire & influence dramaturgical choices of an artist in developing her own unique language.

Invited to join as the Dutch choreographer-dramaturg duo for EU project Micro Macro Dramaturgies in Dance by DansBrabant, NL along with Elena Tzanavalou.

The European project Micro Macro Dramaturgies in Dance (MMDD) is a collaboration between an international team of dramaturgs – Guy Cools, Anne-Marije van den Bersselaar, Maja Hriešik and Katalin Trencsényi – and six European organisations in the field of contemporary dance: Anghiari Dance Hub and Marche Teatro (IT), Bora Bora (DK), Dance House Lemesos (CY), DansBrabant (NL) and Tanec Praha (CZ).

https://www.dancedramaturgies.eu/micro-and-macro-dramaturgies-dance

Teaching a course on Dramaturgy & Artistic Research for Year 1, 2 and 3 at the Academy of Circus and Performance Arts, Fontys Hogeschool voor de Kunsten, Tilburg.
With a complete practice-based approach, packed with group assignments, individual presentations, debates and dialogues, the course explores varied aspects of micro & macro dramaturgy, open & concept dramaturgy, artistic research and intersectional ways of looking at contemporary circus practice today. It further delves into how lived experience & upbringing, professional lineage, current socio-political climate within the world and the arts, inspire & influence dramaturgical choices of an artist in developing her own unique language.

Mentor for Creative Europe Project ‘Circus Without Circus’ for artist duo Bambou and Natko.

Invited to join as the Dutch choreographer-dramaturg duo for EU project Micro Macro Dramaturgies in Dance by DansBrabant, NL along with Elena Tzanavalou.

The European project Micro Macro Dramaturgies in Dance (MMDD) is a collaboration between an international team of dramaturgs – Guy Cools, Anne-Marije van den Bersselaar, Maja Hriešik and Katalin Trencsényi – and six European organisations in the field of contemporary dance: Anghiari Dance Hub and Marche Teatro (IT), Bora Bora (DK), Dance House Lemesos (CY), DansBrabant (NL) and Tanec Praha (CZ).

https://www.dancedramaturgies.eu/micro-and-macro-dramaturgies-dance

Teaching a course on Dramaturgy & Artistic Research for Year 1, 2 and 3 at the Academy of Circus and Performance Arts, Fontys Hogeschool voor de Kunsten, Tilburg.
With a complete practice-based approach, packed with group assignments, individual presentations, debates and dialogues, the course explores varied aspects of micro & macro dramaturgy, open & concept dramaturgy, artistic research and intersectional ways of looking at contemporary circus practice today. It further delves into how lived experience & upbringing, professional lineage, current socio-political climate within the world and the arts, inspire & influence dramaturgical choices of an artist in developing her own unique language.